The Lore of the Lyrebird, Ambrose Pratt, 1932
Dr. Joëlle Bitton
Luke Franzke
Joël Gähwiler
Dr. Daniel Hug
Olav Lervik
Stefan Heller neeracherried(at)birdlife.ch
Valentin Amrhein v.amrhein(at)unibas.ch
The module takes place over 5 weeks, from 20.02.18 to 23.03.18, from Tuesday to Friday, 9.30-17.00 - see timetable below for detailed hours and classrooms. Class sessions include lectures, discussions, mentoring sessions, in-class exercises, assignments and independent study blocks. Projects are conducted individually or in a team of three students at most.
The Spatial Interaction course engages students with the notion of public space and the types of interaction that can be designed with and for that space: from observing public uses, proposing interventions, defining installations, etc.
This year, the module is conceived in collaboration with Birdlife-Centres Neeracherried and La Sauge in order to investigate ideas and prototypes for a future exhibition where visitors interact with bird songs.
BirdLife Switzerland and the University of Basel invite us to experience bird’s songs. Why do birds sing? How do they sing? What are the similarities of the communication of birds an human beings? Does man-made noise disturb the communication of birds? In exhibitions at Birdlife-Centres Neeracherried and La Sauge, visitors shall experiment and interact with bird’s sounds and slip into the skin of birds. In the Spatial Interaction course, students will develop working concepts for this exhibition, through the tools and methods of spatial interaction, sound and exhibition design. The developed prototypes will be presented to our partners and should serve as the basis of a further design of the planned exhibition.
In an exhibitions in Birdlife-Centre Neeracherried and La Sauge, visitors shall experiment and interact with bird’s sounds and slip into the skin of birds. In the Spatial Interaction course, students will develop working concepts for this exhibition, through the tools and methods of spatial interaction, sound and exhibition design. The developed prototypes will be presented to our partners and should serve as the basis of a further design of the planned exhibitions in Birdlife-Centres Neeracherried (2019 - 20) and La Sauge (2021-22).
The sounds of birds are the central topic of the exhibition. We expect that the visitors record a large part of the content of the exhibition by listening or by producing sounds themselves.
Didactic aims of Exhibition
Students learn in the process tools and methods to track people and their interaction and environmental changes, and notions of exhibitions set-ups.
Grades will be based on in-class presentations, class participation, documentation (journal) and final work. Contributing to constructive group feedback is an essential aspect of class participation. Regular attendance is required. Two or more unexcused absences will affect the final grade. Arriving late on more than one occasion will also affect the grade.
Any assignment that remains unfulfilled receives a failing grade.
A separate 'Journal' is developed by each group that reflects on learnings from the seminar. It should be in the form of an online blog (ie. WordPress, Tumblr or other):
The students may use the "Modellbauwerkstatt" in the last two weeks for working on the project.
9:00 Greeting and general Introduction
9:15 Katharina, Manuel, Stephanie
9:30 Jerome, Vinzenz, Shaen
9:45 Alessa, Michael, Tobias
10:00 Aurelian, Ismael, Carlo
10:15 Coffee Break
10:30 Daniel, Tingting
10:45 Adrien, Daria
11:00 Ju
11:15 Continued exhibition/live demo time
Week 1 | Tuesday 20.2 | Wednesday 21.2 | Thursday 22.2 | Friday 23.2 |
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Morning | Kickoff | Visit BirdLife Center | Visit Zoo of Zurich Discussion on Field Study | Tech Input 3: |
Afternoon | Tech Input 1: | Tech Input 2: | Individual Research | Research Exercise Presentation and Idea Clustering Brain Storm Exercise (sketches)
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Week 2 | Tuesday 27.2 | Wednesday 28.2 | Thursday 1.3 | Friday 2.3 |
Morning | Tech Input 4: | Mentoring Concept Development | Tech Input 5: | Mid-Presentations |
Afternoon | Concept Development | Getting Audio Material PZ | Concept Development | Design & Prototyping |
Week 3 | Tuesday 6.3 | Wednesday 7.3 | Thursday 8.3 | Friday 9.3 |
Morning | On-Demand Sound Mentoring Design & Prototyping | Design & Prototyping | Sound Mentoring Design & Prototyping | Design & Prototyping |
Afternoon | Tech Input 6: | Mentoring Design & Prototyping | Design & Prototyping | Design & Prototyping |
Week 4 | Tuesday 13.3 | Wednesday 14.3 | Thursday 15.3 | Friday 16.3 |
Morning | Production | Production | On-Demand Sound Mentoring Production | Production |
Afternoon | Mentoring Production | Tech Input 7: Production | Production | Production |
Week 5 | Tuesday 20.3 | Wednesday 21.3 | Thursday 22.3 | Friday 23.3 |
Morning | Production | Production | Exihibition Setup Gallery 1 and 2 | Final Presentation |
Afternoon | Mentoring Production | Production | Documentation Gallery 1 and 2 | Clean up Documentation Student Feedback Gallery 1 and 2 |
JB: Joëlle Bitton, LF: Luke Franzke, JG: Joël Gähwiler, SH: Stefan Heller, VA: Valentin Amrhein, DH: Daniel Hug, OL: Olav Lervik