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Readings:
a) Pickering, Andrew (2013). "Being in an environment: a performative perspective". Natures Sciences Sociétés 21. 77-83.
b) Ingold, Tim. (2008). "Bringing Things to Life. Creative Entanglements in a World of Materials".
presented by ?Johannes, Nicola
Project Topics:
(- Sourcing materials)
- Material-Environment Interactions
presented by ?Svenja
Class 3 - 4.10. - Systems and Bodies
Readings:
a) Burnham, Jack (1969). "Systems and Art". In Arts in Society. 6:2. University of Wisconsin, Summer/Fall 1969. 194-204.
b) Hartmann, Klemmer, Takayama (2006). "How Bodies Matter: Five Themes for Interaction Design". In DIS 2006.
presented by ?Réjane, Micaela
Project Topics:
- Multisensory experiences, Haptics and Space
- Sensing through scales (micro-meso-macro)
presented by ?Silvan, Nadia
Class 4 - 11.10. - Services and Infrastructure
Readings:
a) Starosielski, Nicole (2012). "Warning: Do Not Dig’: Negotiating the Visibility of Critical Infrastructures." Journal of Visual Culture. 11:1. April 2012. 38–57.
b) Klinenberg, Eric (2018). Palaces for the people. Crown: New York, USA. 184-197. OR Alternative!
presented by ?Bin, Silvan
Project Topics:
- Speculative service design
- Biological services
presented by ?Janosch, Elena
Class 5 - 18.10. - Anthropocene
Readings:
a) Latour, Bruno (2018). "Das terrestrische Manifest". 21-25 & 35-68. Or alternative from new catalogue "Critical Zones!!
b) I) Gombiner, Joel (2011). "Carbon Footprinting the Internet“. In Consilience: "The Journal of Sustainable Development“. Vol. 5. 119-124.
II) Guardian Environment Network (2017). "‘Tsunami of data’ could consume one fifth of global electricity by 2025“. The Guardian, UK.
III) Cook, Gary (2017). "Clicking clean: Who is winning the race to build a green internet?". Greenpeace: Washington (D.C.), USA.
presented by ?Sandro, Nadia, Eleonora
Project Topics:
- Energy low design
- Anthropocene (art & design)
presented by ?Thore, Réjane
Class 6 - 25.10. - Wavescapes
Readings:
a) Hosokawa, Shuhei (1984). "The Walkman Effect". In Popular Music. 4. Performers and Audiences. 165-180.
b) Franinovic, Karmen and Salter, Christopher (2013). "The experience of Sonic Interaction". In Franinovic and Serafin: Sonic Interaction Design. 39-75.
presented by ?Daniel, Fabrizio
Project Topics:
- Sound Art/Design
- Device Art
presented by ?Johannes, Micaela
Class 7 - 1.11. - Essay preparation
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Readings:
a) Economist (2017). The world’s most valuable resource is no longer oil, but data. The Economist: New York, NY, USA.
b) Barrowman, Nick (2018). Why data is never raw. The New Atlantis, Summer/Fall edition: 129-135.
presented by ?Thore, Guan
Project Topics:
- information art (historical & latest)
- creative tracking
presented by ?Daniel, Bin
Class 9 - 15.11. - Artificial Intelligence
Readings:
a) Russell, Stuart and Nerving Peter. Artificial Intelligence: A Modern Approach, 4th ed. Extract from Introduction and conclusion.
b) Launchbury, John (2107) The 3 waves of AI (A DARPA Perspective on Artificial Intelligence)
presented by ?Janosch, Svenja
Project Topics:
- designing with AI
- AI & environment
- to be determined
presented by ?Guan, Nicola, Miguel
Class 10 - 22.11. - Data, Democracy and Surveillance Capitalism
MovieText:
The Great Hack (2019). Directors: Karim Amer, Jehane Noujaim, Documentary, 1h54min.
OR Text:
a) Text to be found (Cambridge Analytice or related)
b) Zuboff, Shoshana (2019) The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power.
Additional Readings:
a) Cadwalladr, Carole (2019). The Great Hack: the film that goes behind the scenes of the Facebook data scandal. The Guardian, UK.
b) Naughton, John (2019). 'The goal is to automate us': welcome to the age of surveillance capitalism. The Guardian, UK.
presented by ?Elena, Miguel
Project Topics:
- social media interventions/hacks/hoaxes
- citizen activism and digital platforms
- to be determined
presented by ?Sandro, Eleonora, Fabrizio
Class 11 - 29.11. - Essay support
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