INTERACTION DESIGN THEORY SEMINAR 5th semester
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Class sessions take place each Monday Mondays from 15.00-17.00. See calendar for details.
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"Sweet Dreams are Made of This" proposes to dive into the very essence of interaction design agency, ahead of the thesis semester. How does a design project emerges from a particular interest? Should it have an impact? And at what scale? Through a variety of references, we'll address notions of dreams, contribution, position and ownership, especially as they relate to contemporary societal questions. We usually consider that a novel contribution to knowledge has to be read about, dreamed about in a visionary sense, used and related to, through hands on testing, iterations and prototyping at various stages, explored orally and visually, and discussed by peers and tutors. The course is structured around materials discussions showcasing social engagement, activism and aesthetic movements, various assignments such as fictional dream-like scenarios and practical workshop formats.
This course is also a guided exercise in your autonomy to look for relevant references and to integrate them as part of your research endeavour. You should start early with topics of interest for your diploma work, even it is expected that they might evolve or even change completely. In that sense, even if your topic changes, the questions & methods that will be addressed in this class will be valid throughout your diploma work. Different than previous theory classes, with mostly discussions based on readings, this class is a continuous assignment-based exploration of your research engagement. It is required that you follow through and ride the wave.
COURSE OUTLINE
12 sessions structured around the notions of engagement, positioning, research and ownership.
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What responsibilities do you have?
In a first exercise, you will write about your own positioning.
Assignments for the following week:
- Describe topic choice in 2 structured paragraph with initial research questions
- Plan tandem choice
- Readings
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Present Topic choice & tandem.
In a first exercise, you will write about your own positioning.In a second exercise, an in-class exercise, in groups of 2 or 3 - discuss your research interest and get feedback about your research questions (what are your assumptions, the possible stereotypes&clichés, what could be the challenges, the opportunities, what angle would be most compelling to address, etc) and identify . Identify which research method can help your check your assumptions, based on the methods you encountered in your studios and theory classes and invent a new research method.
Each group will present.
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- Read your peers statements of intent.
- Browse Readings
Session 09 – 21.11.22 – Joyful Research II & Discussion of statements
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Jarvis, N., Cameron, D., Boucher, A. 2012. Attention To Detail: Annotations of a design process. pp. 11-20.
Gaver, W. 2011. "Making spaces: How design workbooks work" in Proceedings of CHI 2011, Vancouver.
Assignment for the following week:
- Dream. Write half a page and upload on server.
Session 10 – 28.11.2022 – How Far?
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Exercise-in-class: list where your thesis work is not changing anything.
Exercise-in-class: looking at former IAD students' BA thesis
Readings (Browse through):
Eco, U. 2015. How to Write a Thesis. MIT Press. 1st ed. 1977.
Koskinen, I., Zimmerman, J., Binder, T., Redström, J., & Wensveen, S. 2011. Design research through practice: From lab, field, and showroom. San Francisco, CA: Morgan Kaufmann.
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