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The class usually takes place on Mondays, from 89.3000-10.30, on Zoom. Please pay attention to the schedule as there might be some exceptions. In each session two teams of two students will give a presentation: one based on readings and the other one based on art and design projects. Each presentation is followed by a discussion and/or an in-class assignment. Each student has to write a final essay based on a topic chosen by the student in relation to a class assignment and his/her practical work in the seminar Soft Architecture.

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The reading-based presentation should include answers to these questions: who are the authors? where do they work? what concepts do they propose? what year was the document published? what was the context at the time of publication? what are other contemporary theorists and practitioners perspectives on the authors proposal? what influence did the proposal have? what was your research process to go over your findings? how can you apply the proposed ideas in your design work or others' design work? how can you challenge the ideas presented? - The presentation should be 20 15 minutes max.

The project-based presentation should include at least 5 projects illustrating each topic, that are gender-balanced, from various countries of origin. Projects can be taken in design, art, ethnography, science and other disciplines. What 'taxonomy' can you provide to categorize the 5+ projects? How these 5+ projects help get a sense of the field that you're presenting? How do they relate to the topic of the week and the readings of that week? - The presentation should be 10 5 minutesmax.

Final Essay
The essay is a final 1500-words essay with a diversity of sources and bibliography (classified by genre: book, book chapter, journal article, conference article, academic thesis, newspaper article, web article, etc). 

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CALENDAR overview

Class 1 - 21.9.  -  Introduction

Special Date: 23.9.  -  Microclimates lecture by Prof. Roesler

Class 2 - 5.10.  -  Systems and Bodies

Class 3 - 12.10.  -  Material and Environmental Dynamics

Class 4 - 19.10.  -  Services and Infrastructure

Class 5 - 26.10.  -  Anthropocene

Class 6 - 2.11.  -  Wavescapes

Class 7 - 9.11.  -  Essay preparation

Class 8 - 16.11.  - Cybernetics: Conversation and Fabrics  Introduction to data and data literacy

Class 9 - 23.11.  - Introduction to data and data literacy  Artificial Intelligence

Class 10 - 30.11.  - Essay support  Data, Democracy and Surveillance Capitalism

Class 11 - 7.12.  - Artificial Intelligence Class 12 -   Essay support

Special Date:  14.12. -  Data, Democracy and Surveillance CapitalismDeadline Essay


Personal feedback on your final essays will be given on by January 15, 2020.



DESCRIPTION of the TOPICS and texts in the individual CLASSES

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Readings:
a) Burnham, Jack (1969). "Systems and Art". In Arts in Society. 6:2. University of Wisconsin, Summer/Fall 1969. 194-204.
b) Hartmann, Klemmer, Takayama (2006). "How Bodies Matter: Five Themes for Interaction Design". In DIS 2006.
 

presented by tbcAathmigan, Gian-Carlo

Project Topics:
- Multisensory spatial experiences
- , Haptics and Space
- Sensing through scales (micro-meso-macro)

presented by tbcCelina, Alec


Class 3 - 12.10.- Material and Environmental Dynamics

Readings:
a) Pickering, Andrew (2013). "Being in an environment: a performative perspective". Natures Sciences Sociétés 21. 77-83.
b) Ingold, Tim. (2008). "Bringing Things to Life. Creative Entanglements in a World of Materials".

presented by tbcAlec, Celina

Project Topics:
- Sourcing materials
- Material-Environment Interactions
- Artificial weather systems

presented by tbcDavid, Alessia


Class 4 - 19.10. - Services and Infrastructure

Readings:
a) Starosielski, Nicole (2012). "Warning: Do Not Dig’: Negotiating the Visibility of Critical Infrastructures." Journal of Visual Culture. 11:1. April 2012. 38–57.
b) Klinenberg, Eric (2018). Palaces for the people. Crown: New York, USA. 184-197.

presented by tbcAlessia, Ramona

Project Topics:
- Speculative service design
- Biological services

presented by tbcKimon, Sonia


Class 5 - 26.10. - Anthropocene

Readings:
a) Latour, Bruno (2018). "Das terrestrische Manifest". 21-25 & 35-68.
b)    I) Gombiner, Joel (2011). "Carbon Footprinting the Internet“. In Consilience: "The Journal of Sustainable Development“. Vol. 5. 119-124.
       II) Guardian Environment Network (2017). "‘Tsunami of data’ could consume one fifth of global electricity by 2025“. The Guardian, UK.
       III) Cook, Gary (2017). "Clicking clean: Who is winning the race to build a green internet?". Greenpeace: Washington (D.C.), USA.

presented by tbcNemo, Andreas

Project Topics:
- Energy low design
- Anthropocene (art & design)

presented by tbcRamona, Daniela


Class 6 - 2.11. - Wavescapes

Readings:
a) HusokawaHosokawa, Shuhei (1984). "The Walkman Effect". In Popular Music. 4. Performers and Audiences. 165-180.

b) Franinovic, Karmen and Salter, Christopher (2013). "The experience of Sonic Interaction". In Franinovic and Serafin: Sonic Interaction Design. 39-75.

presented by tbcDaniela, Sonia

Project Topics:
- Sound Art/Design
- Device Art

presented by tbcNemo, Kilian


Class 7 - 9.11. - Essay preparation

Hand in (half a written page) and present (2-3min) your proposal for the final essay (interests, central question, potential, challenges)!


Class 8 - 16.11. - Cybernetics: Conversation and Fabrics

Readings:
a) Pask, Gordon (1971). "A comment, a case history and a plan", in REICHARDT, Jasia (Hrsg.): Cybernetics, Art, and Ideas, New York Graphics Society, 76–99

b) Beer, Stafford (1962). "Progress Note on Research into a Cybernetic Analogue of Fabric", in Harnden, R. et al. (Eds.). 1994. "How many grapes went into the wine. Stafford Beer on the art and science of holistic management". 25–32.

presented by tbc

Project Topics:
- Responsive Environments
- Non-human conversation

presented by tbc

Class 9 - 23.11. - Introduction to data and data literacy

Readings: 
a) Economist , T. (2017). The world’s most valuable resource is no longer oil, but data. The Economist: New York, NY, USA
b) Barrowman, Nick (2018). Why data is never raw (. The New Atlantis, Summer/Fall edition: 129-135).

presented by tbcNicola, Kilian

Project Topics:
- information art (historical & latest)
- tbdcreative tracking

presented by tbcNicola, Baran


Class 10 - 30.11. - Essay support

Ask all your questions, talk about challenges, discuss arguments, build up, formulations etc.

Class 11 - 7.12.  9 - 23.11. - Artificial Intelligence

Readings:  
a) Hassabis, Demis (2019). The Power of Self-Learning Systems. Youtube Video, Institute for Advanced Study, 47:30min.
          (extra task: explain the most important concepts/methods/algorithms in AI featured in this video!)
b) Lovelock, James (2019). Novacene: The coming age of hyperintelligence. MIT Press: Cambridge (MA), USA. 79-120

presented by tbcMai, David

Project Topics:
- designing with AI
- tbdAI & environment

presented by tbcMai, Aathmigan


Class

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Data, Democracy and Surveillance Capitalism

Workshop in building up argumentations and research questions.

Watch beforehand:Movie:  
The Great Hack (2019). Directors: Karim Amer, Jehane Noujaim, Documentary, 1h54min.

Additional Readings: 
a) Cadwalladr, Carole (2019). The Great Hack: the film that goes behind the scenes of the Facebook data scandal. The Guardian, UK.
b) Naughton, John (2019). 'The goal is to automate us': welcome to the age of surveillance capitalism. The Guardian, UK.  

presented by Baran, Kimon

Project Topics:
- social media interventions/hacks/hoaxes
- citizen activism and digital platforms

presented by Gian-Carlo, Andreas


Class 11 - 7.12.  - Essay support

Ask all your questions, talk about challenges, discuss arguments, build up, formulations etc.