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Spring 2022: March 29 - May 6.

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Spring 2022: March 29 - May 6.

Instructors:
Dr Joëlle Bitton
joelle.bitton@zhdk.ch 

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The module takes place from March 29 - May 6, over 6 weeks, online, from Tuesday to Friday each week, 9.00-17.00 -  see detailed hours in calendar belowin presence at Toni - See detailed hours in calendar below (room info in Evento). 
*Some sessions may take place via Zoom (although sessions happening both in Zoom and in presence at the same time will not be possible).

Class sessions include lectures, discussions, mentoring sessions, in-class exercises, home assignments and independent study blocks.

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This course is project-based and will allow students to have a hands-on experience.
Organised in groups, students will develop innovative design concept for a product, a service or an experience. 

Topic

Systemic changes + : who / & what is at the center?

This year, the topic for this class addresses the typical design premice of interaction designers' wishes to have a societal impact. People-centered design is at the core of interaction design studies and human-computer interaction research. What does this premice actually mean? What are the limitations, frustrations, realities of designing on the ground? What if we should move away from a human-centric design to a non-human one? The class proposes to look at proposal of changes not in term of individual behaviours but addressing if systemic changes can happen from a design proposal. We will also uncover the contradictions of a designer's responsibility, agency and idealisation. 

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  • Week 2: Idea Transfers
    Researching, Enacting and testing ideas, 
    Methods: sketching, mockups, bodystorming, brainstorming, participatory methods, extreme characters, etc

  • Week 3: Play 
    Creating prototypes and confronting them to the 'real world'
    Methods: cultural probes, participatory methods with mockups, cartoon scenarios, acting out an experience, etc.Week 4: Stories and users
    How is your work being evaluated? 
    Methods: forms of evaluation, from user-testing to narratives enacting scenarios
  • Week 54: Production 1
    Independent study week: working on your production assignment 
    Week 6: Production 2
    Finalising the project 

Expectations and Grading

Grades will be based on group presentations, class participation, home assignments, documentation (journal) and final work. 
Contributing to constructive group feedback is an essential aspect of class participation.
Regular attendance of 80% is required, whether in class or group work. Two or more unexcused absences will affect the final grade. Arriving late on more than one occasion will also affect the grade.

Final work 40%

Group presentations & mid-assignments 40% 

Journal Documentation 20%

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  • Play 
    Creating prototypes and confronting them to the 'real world'
    Methods: cultural probes, participatory methods with mockups, cartoon scenarios, acting out an experience, etc

  • Week 5: Production 1
    Independent study week: working on your production assignment and setting your own agenda
    (Exceptional mentorings could be available during this week, although you are mostly on your own)

  • Week 6: Production 2
    Finalising the project 

Deliverables

  • Final Work

The final outcome of the class is a project proposal in the form of a working prototype, user-tested and represented to an external audience in the form of a film and/or a medium of your choice (installation, website, demo, etc...). For this class, there will be an emphasis on the film narrative as a way to disseminate your proposal.

  • Home/In-class assignments

Throughout the module, various short home & in-class assignments will be given to practice concepts discussed in class.

  • Group presentations

Interval group presentations each week present the advancement of the group's project and highlight the specific requirements of that week.
Each presentation are structured so that each group member will introduce an aspect of the project. On average, the presentation should be 5 minutes.
The format is open: 

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  • Live sketching
  • Demo with prototyping
  • Classic Slides presentation
  • etc.

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  • Journal/Blog

A separate 'Journal' is developed by each student that reflects on learnings from the seminar. It should be in the form of an online blog (ie. WordPress, Tumblr or other):

...

a working prototype, user-tested and represented to an external audience in the form of a film and/or a medium of your choice (installation, website, demo, etc...). For this class, there will be an emphasis on the film narrative as a way to disseminate your proposal.

  • Home/In-class assignments

Throughout the module, various short home & in-class assignments will be given to practice concepts discussed in class.

  • Group presentations

Interval group presentations each week present the advancement of the group's project and highlight the specific requirements of that week.
Each presentation are structured so that each group member will introduce an aspect of the project. On average, the presentation should be 5 minutes.
The format is open: 

    • Live sketching
    • Demo with prototyping
    • Classic Slides presentation
    • etc.

  • Week 2 Presentation requirements:
    Name of group/project
    Knowledge Inquiry
    5 related works
    Lessons learned from the field / probes
    Where do you want to go
    How do you get there (identify roles, needs, actions)

  • Week 5 First cut of video from Production Week
    Delivered by Midnight Sunday 1.05 on server
  • Journal/Blog

A separate 'Journal' is developed by each student that reflects on learnings from the seminar. It should be in the form of an online blog (ie. WordPress, Tumblr or other):

    • The journal should be structured in a generally comprehensible manner
    • The lecture notes, including annotations, are stored
    • Notes, sketches for each day should be included as well

Expectations and Grading

Grades will be based on group presentations, class participation, home assignments, documentation (journal) and final work. 
Contributing to constructive group feedback is an essential aspect of class participation.
Regular attendance of 80% is required, whether in class or group work. Two or more unexcused absences will affect the final grade. Arriving late on more than one occasion will also affect the grade.

Final work & documentation 50%

Group presentations & mid-assignments 30% 

Journal Documentation 20%

Any assignment that remains unfulfilled receives a failing grade.  

Course Materials

The course IAD Design Methods provides the background literature for this class.
Additional readings can be provided as the class progresses.

Teams projects

Lea, Loïc, Luke
Carina, Elena, Lars, Luis
Audrey, Liv, Sonja, Tanja
Bennie, Gio, Matthias, Mo, PJ

Calendar

Field Research Cultural Probes and Exercise
(jb)Field Research & Desk-based Research
(Related work, 
References Research 

Independent Study

InputIndependent StudyMentoring: Editing
(nf) (Part 2)

Week 1
Into the Wild!

Tuesday 29.3

Wednesday 30.3

Thursday 31.3

Friday 1.4

Morning

(starts at 9.00 otherwise noted)



  • Introduction about the module, Note  Note on Documentation

  • Lecture on the topic and discussion discussion (jb)

  • Exercise, part 1: topic and group building (answering questions & themes emerging)
    (jb, nf)

  • Input
    Ethnographic study

    (nf)   

 


  • First impressions /Clustering 
    Sense Making (AEIO)
  • Going back in the field.
    (nf, jb)



Field Research

Afternoon
(starts at 13.00 otherwise noted)


  • Exercise, part 2: topic and group building (clustering by themes)
    (jb, nf)
    14.30-16.30
    Renting Equipment and Get prepared for Field Research
    NF


  • Get prepared for Field Research
    (nf)
  • Renting Equipment
    (nf)

  • Initial Field Research
    • Conduct your first field observation
Field ResearchField Research
  • Group presentations: Inspirations and Field Research (First impressions of 2-3 iterations, narrative over 1.5 days, questions/reflections that drove your choices for the field study) 5-7mn/group
    (jb, nf)

    Clustering and Going back in the field.
    Sense Making (AEIO)
    ( nf) 

  • Expectations for the following week

Week 2
Idea Transfers

Tuesday 5.4

Wednesday 6.4

Thursday 7.4

Friday 8.4

Morning

  • Exercise:   Very rapid prototypingprototyping 
    (jb)
  • Group Presentations:
    mock-ups
    (jb) 

(Bits&Atoms class)


  • Input:
  •  Narrowing Down
  • Mentoring (30mn/group)
    (nf)



Field Research & Desk-based Research
(Related work, 
References)

Afternoon

  • Input: Cultural Probes and Exercise: Bodystorming
    (jb)


Field Research &  Desk-based Research

Field Research & Desk-based

Research

(Related work, 
References)


Field Research & Desk-based Research
(Related work, 
References)
  • 14.00 Group presentations: Advanced concept, Related Work, References and Detailed inquiry plan for the next 4 weeks 
    (jb, nf)

Week 3
PlayStories and Users

Tuesday 12.4

Wednesday 13.4

Thursday 14.4

Friday 15.4

Morning

  • Exercise: Prototyping IdeasInput: Storytelling & Storyboards
    (
    jbnf)
  • Mentoring 
    (20mn/group)
    (jb)

Independent Study

Holiday

Afternoon


Independent Study(Bits&Atoms class)


  • 09.00 -12.00
    Group presentations:
Advanced Prototypes
  • Storyboards
    (
jb,
  • nf)
Holiday

Afternoon

  • Exercise:
Storytelling &
  • Storyboards
    indezent
(nf, jb)Exercise: Storyboards
  • 13 - 15: 00 Mentoring (30mn/group)
    (nf)
Independent Study

Week 4
Stories and UsersPlay

Tuesday 19.4

Wednesday 20.4

Thursday 21.4

Friday 22.4

Morning

  • Input:
    Storytelling Exercise:  
    Prototyping ideas & Performance enactment / Bodystorming
    (jb)
  • Mentoring
    (30mn/group)
    (jb)

(Bits&Atoms class)

Independent Study


  • Mentoring Mentoring
    (20mn30mn/group)
    (jb)

Independent Study

Afternoon

Exercise: Performance enactment

 - Renting Equipment (see Email  11.04 by Nicole  for permission)

Afternoon

  • Mentoring
    (30mn/group)
    (jb)


Independent Study

Independent Study
  • Group presentations on location:
    Storytelling Prototypes demoes in situation & plan for the production week
    (jb
    , nf)

Week 5
Production 1

Tuesday Monday 25.04 // Tuesday 26.4

Wednesday 27.4

Thursday 28.4

Friday 29.4

Friday 29.4


Production Week

Production WeekProduction Week*

3F18 Reservation photo studio 3F18 in consultation with course service design. See email from Nicole from 11.04 


(Bits&Atoms class)
 

Production Week

Production Week


3F18 Reservation photo studio 3F18 in consultation with course service design. See email from Nicole from 11.04 

Week 6
Production 2

Tuesday 3.5

Wednesday 4.5

Thursday 4.5

Friday 6.5

Morning

.5

Thursday 4.5

Friday 6.5

Morning

Independent Study

(Bits&Atoms class)


  • Mentoring on request
    (either Wednesday afternoon or Thursday morning)

    (30mn/group)
    (jb)


Independent Study / Documentation prep

Afternoon

  • 13-14:00 Group presentations:
    Back from the production week: concise recount of what was made & achieved during the
week
  • week 
    (jb, nf)

  • 14 -17:00 
    Mentoring:
Editing
  •  Editing (
Part 1
  • nf)
(nf) 

Independent Study


  • Mentoring on request (either Wednesday afternoon or Thursday)(30mn/group)
    (jb)
Independent Study / Documentation prep

Afternoon

  • Final Group presentations
  • Feedback session
    (jb, nf)

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