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Dozierende: Karmen Instructor: Prof. Dr. Karmen Franinovic

Inter-Action Design seminar is an introduction into the field of interaction design, its history, concepts and future perspectives, from user-centred to life-centred design. We also discuss a specific IAD approach grounded on the notion of Inter-Action and its foundation in relational and activity-based thinking and making. This seminar will provide a base for the upcoming semesters courses and your projects in which we will interweave theory and practice.

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Session 2: Diversity beyond Human

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time: 10.30am - 12.30pm
location: Zoom

Guest: Prof. Dr. Sascha Roesler

Topics: atmosphere, spatial diversity, bio diversity diversity…

  • TBA

Session 3: Design Symposium

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(cancelled)

Session

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3: Attunement : Theory in the Field

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28. September 2020.

time: 9.00am - 12.00pm
location: Zurich outdoors

Topics : attunement, promenadology 

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, situated knowledge, situated interaction…  

  • Th. Morton, “Attune” in Cohen, J.J. and Lowell D.. Veer Ecology: A Companion for Environmental Thinking. University of Minnesota Press, 2017. Project MUSE muse.jhu.edu/book/57348.

  • ed. M. Kuzmanovic and N. Gaffney, Dust & Shadow Reader #2, FoAM, 2019. https://fo.am/publications/dust-shadow-reader-2/

  • R. Kirschner and K. Franinović, ”Interacting in Entangled Environments” in Not at Your Service: Design Manifestos, Eds. B. Franke and H. Matter, Birkhäuser Verlag, 2020

Take a walk through the city of Zurich and develop new ways of observation. A set of sensing and sketching exercises can provide an in-depth understanding of urban space, its infrastructures and interactions, and thus is the basis for a multisensory and people-centered design.

Exercise 1. Sound Postcards

The groups of four to five participants walk to an urban area chosen by the group. At the location, they close their eyes and listen to their surroundings for five minutes. The leader of the group keeps the time and the security of the others in the group. After the silent and blinded observation, each person creates a visual representation of sounds and soundscape they heard in an A5 format (or a notebook page). After approximately five to ten minutes, the participants share their visual annotations and describe what they have perceived.

Exercise 2. Awareness

Focus visually on one thing in the environment and stay with it for 5 minutes. Don’t move your eyes to other things in your surroundings. Sketch and write down what you saw and felt.

Exercise 3. Relations

Look at all the other things in the environment and see how they related to your thing from the previous exercise. Draw at least 3-5 relations and describe how they relate to the thing you were focusing on.

Session 4: Ecological Thinking / Interaction : Theory in the Field

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28. September 2020.

time: 13.00am - 17.00pm
location: Zurich outdoors

Topics : affordances, embodiment, enactive interactioninteraction…

  • Gibson, J.J.  (1986). The Theory of Affordances. In Lawrence Erlbaum Associates Inc.
    GibsonJ-The-Theory-of-Affordances.pdf

  • Nakamura, J., & Csikszentmihalyi, M. (2009).The concept of flow. In Snyder, C. R., & Lopez, S. J. (Ed.). Oxford handbook of positive psychology. Oxford University Press, USA. 89-105

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  • Noë, A. (2010). Du bist nicht Dein Gehirn. Eine radikale Philosophie des Bewusstseins. München: Piper Verlag, München. Noe_DubistnichtdeinGehirn.pdf

Exercise 4. Sensorial Ecologies

Move through an urban area and observe how its elements interact between each other.

Sketch and describe sensorial ecologies :

  • soundscape of the area

  • lightscape of the area

  • microclimate of the area (temperature/humidity/smells…)

Describe how you (or another single person) interact with those ecologies.

Exercise 5. Social Ecologies

Observe an area and how people interact with their surroundings and each other.

Develop and describe its social ecologies through:

  1. Flow map (movement of people in space, grouping, body positions).

  2. Attractor map: Describe and sketch social attractors (where/how people can isolate? where/how do people gather? for how long? why?) Describe and sketch spatial attractors (what attracts people and what rejects them?)

Session 5: Inter-Action

5. October 2020.

time: 10.30am 30 - 12.30pm30
location: Zoom

Topics : digital, analog, digitalisation, inter-action, intra-action

  • Franinovic, K. ”Inter-Action/Inter-Acting” in Handbuch Künstlerische Forschung, Ed. J. Badura, A. Haarmann and S. Dubach. Diaphanes, 2015.

Session 6: What is the meaning of „active“ in living beings and materials?

9. October 2020.

time: 11.

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00am - 13:30
location: Zoom

Panel: Khashayar Rhazghandi, Michael Hirschbichler, Karmen Franinovic, Andreas Gehrlach

Coworking Materials conference, Linz

http://www.ifk.ac.at/index.php/kalender-detail/coworking-materials-fuer-einen-aktiven-materialismus.html

Topics : action, active materials, intentionality, meshwork

Session 7: Otherness

12. October 2020.

time: 10.30am - 12.30pm
location: Zoom

Questions: posthuman, gender , gender, intra-action, new materialism, active materials 

  • Ed. Coole, D. and Frost, S. “Introducing the New Materialism” in New Materialisms: Ontology, Agency, and Politics. Durham and London: Duke University Press. 2010. pp. 1-43.

  • Kleinman, A. “Intra-Actions” interview with Karen Barad, Mousse 34, 2012.

  • Franinovic, K. ”Thinking Active Materials : Actively Thinking Materials” in Raw Flows: Fluid Mattering in Arts and Research, Ed. R. Kirschner, De Gruyter, 2017. pp. 124-143.

Session 8: Complexity

19. October 2020.

time: 10.30am - 12.30pm
location: Zoom

QuestionsTopics: acting, leveraging, ecosystems, biosphere, sustainability

  • Meadows, D. Leverage Points: Places to Intervene in a System, Hartland: The Sustainability Inst. 1999.

  • K. Franinović and R. Kirschner, “Microbiospherians: Leveraging Microbes in Biosphere 2”, Journal of Performance Research, Vol. 25, No. 3: „On Microperformativity“ Routledge, 2020.

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time: 10.30am - 12.30pm
location: Zoom

Topics: Life-Centred Design, Transitional Design, Planet-Centred Design

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time: 10.30am - 12.30pm
location: Zoom

Essay topic: What is interaction design?

Through the course, we have seen many topics and approaches to designing interactions, both digital and analogue. Pick up one of these approaches or topics and develop it through your own questions and ideas. Chose at least one project that exemplifies the approach or topic you have chosen and discuss how theoretical positions and questions have been developed in further through practice.

Essay writing (3-5 Pages)

  • What is the topic/issue/phenomenon that you aim to investigate?

  • What research questions could you ask or what statements could you make?

  • What methods would you use to to answer the questions or prove your hypothesis?

  • What is your motivation for investigating this topic?

Writing_at_University.pdf

Session 11: What is Interaction Design? Essay presentations

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time: 10.30am - 12.30pm
location: ZoomWe discuss concepts such as "embodiment", "mind-body dualism", "education", "affordance", "affect", and take

Session 12: Exam / Feedback

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Individual discussion and feedback

  • Noë, A. (2010). Du bist nicht Dein Gehirn. Eine radikale Philosophie des Bewusstseins. München: Piper Verlag, München.

  • Latour, B. (1999). Pandora's Hope: An Essay on the Reality of Science Studies. Boston, Mass.: Harvard University Press.

01_Noe_DubistnichtdeinGehirn.pdf
02_Latour_VorsichtigerPrometheus.pdf

  • Elias, N. (1987/1991). Wandlungen der Wir-Ich_Balance. In: Die Gesellschaft der Individuen. Suhrkamp Taschenbuch, S. 209 - 226.

  • Hardin, G. (1968). The Tragedy of the Commons. Science 162 (3859): 1243–1248.

  • Sassen, S. (2001) Die Rolle der neuen Technologien . Freies, informelles Wissen  und wozu es befähigt. In: Blätter für deutsche und internationale Politik 2/2011.

  • Papanek, V. (1971). Design for the Real World: Human Ecology and Social Change. New York: Pantheon Books.

01_Papanek_design_victor_whatisdesign.pdf
02_Writing_at_University.pdf

  • Fisher, W. R. (1987). Human Communication as Narration: Toward a Philosophy of Reason, Value, and Action. Columbia: University of South Carolina Press.

01_Fisher_HumanCommunicationasNarration.pdf


EXPECTATIONS AND GRADING

Grades will be based on the oral and written presentations and on class participation. Contributing to constructive group feedback is an essential aspect of class participation. Regular attendance is required. Two or more unexcused absences will affect the final grade. Arriving late on more than one occasion will also affect the grade.

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