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Oral presentations
Students must independently prepare lectures on selected texts from the week. These can be presented in different formats. 
Possible presentation formats are:
Live sketching
Demo with prototyping
Classic Slides presentation
etc.

The reading-based presentation should include a 2-pages written discussion, made available to the class and instructor via email three days prior to the day of the class to ensure a general discussion.
The paper should include title, author, date, context, summary, bibliography.
Additional sources can be added to inform the discussion if necessary.

The reading-based presentation should include answers to these questions: who are the authors? where do they work? what concepts do they propose? what year was the document published? what was the context at the time of publication? what are other contemporary theorists and practitioners perspectives on the authors proposal? what influence did the proposal have? what was your research process to go over your findings? how can you apply the proposed ideas in your design work or others' design work? how can you challenge the ideas presented? - The presentation should be around 25 min (if there are 2 presentations/class and less in case there are more presentations/class).

The project-based presentation should include at least 5 projects illustrating each topic, that are gender-balanced, from various countries of origin. Projects can be taken in design, art, ethnography, science and other disciplines. What 'taxonomy' can you provide to categorize the 5+ projects? How these 5+ projects help get a sense of the field that you're presenting? How do they relate to the topic of the week and the readings of that week? - The presentation should be around 10 min (max 15 min.).

Final Essay
The essay is a final 1500-words essay with a diversity of sources and bibliography (classified by genre: book, book chapter, journal article, conference article, academic thesis, newspaper article, web article, etc). 

The topic of the essay is chosen by the student in relation to a class assignment and proposed by Class 8 in half a written page explaining the topic and the questions at stake, and in the form of presentation (1mn1min) to the class. The final essay has to be submitted by Monday, December ( 9? still tbd).

The paper can be written in English or German.

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CALENDAR 


Class 1 - Monday, 2316.9.19 - 813:30-1015:30 - Introduction


Classes connected to Soft Architecture Studio (instructor RK)

Class 2 - Wednesday, 2.10.19 - 89:3000-1011:30 00 - 4K11 - Bodies Systems and SpacesEnvironments

Class 3 - Thursday, 3.10.19 - 8 9:3000-1011:30 00 - Material and Environmental Dynamics

Class 4 - Friday, 4.10.19 - 8 9:3000-1011:30 00 - Wavescapes Bodies and Spaces

Class 5 - Saturday, 5.10.19 - 8 9:3000-1011:30 00 - Services and Infrastructure

Class 6 - Monday, 7.10.19 - 8 9:3000-1011:30 00 - Anthropocene Wavescapes

Class 7 - Monday, 14.10.19 - 8:30-10:30 - 4K11- Cybernetics: Conversation and Fabrics Anthropocene

Class 8 - Monday, 21.10.19 - 8:30-10:30 - 4K11 - Systems and Environments

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Cybernetics: Conversation and Fabrics


Classes connected to Interactive Visualisation Studio (instructor TG)

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Class 10 - Friday, 8.11.19 - afternoon full day - Data literacy I

Class 11 - Friday, 15.11.19 - afternoon full day - Data literacy II(+ one more afternoon - but when??)


Personal feedback on your final essays will be given on January 15, 2020.



DESCRIPTION of the TOPICS and texts in the individual CLASSES
connected to Soft Architecture Studio (instructor RK):


Class 2 - Wednesday, 2.10.19 - 8:30-10:30 - Bodies Systems and SpacesEnvironments

Readings:
a)
HartmannBurnham, Klemmer, TakayamaJack. 20061969. "How Bodies Matter: Five Themes for Interaction Design". In DIS 2006.

b) Böhme, Gernot. 2000. "Leibliche Anwesenheit im Raum". In Ästhetik und Kommunikation 108. 67-76.presented by tbdSystems and Art". In Arts in Society. 6:2. University of Wisconsin, Summer/Fall 1969. 194-204.
b) Sprenger, Florian. 2019. "Epistemologien des Umgebens: Zur Geschichte, Ökologie und Biopolitik künstlicher environments". 9-30.

presented by Andreas F. and Damaris


Project Topics:
- tbd- Human-Environment Interactions
- Temporary spaces
- Outdoor Interventions

presented by tbdSophie, Andreas. B and Roman


Class 3 - Thursday, 3.10.19 - 8:30-10:30 - Material and Environmental Dynamics

Readings:
a) Pickering, Andrew. 2013. "Being in an environment: a performative perspective". Natures Sciences Sociétés 21. 77-83.
b) Ingold, Tim. 2008. "Bringing Things to Life. Creative Entanglements in a World of Materials".

presented by tbdPamela and Tamara

Project Topics:
- Sourcing materials
- tbdMaterial-Environment Interactions
- Artificial weather systems

presented by tbdTim, Yamzom/Yami and Zoe


Class 4 - Friday, 4.10.19 - 8:30-10:30 - Bodies and Spaces

Readings:
a) Hartmann, Klemmer, Takayama. 2006. "How Bodies Matter: Five Themes for Interaction Design". In DIS 2006.

b) Böhme, Gernot. 2000. "Leibliche Anwesenheit im Raum". In Ästhetik und Kommunikation 108. 67-76.

presented by Roman and Sonjoi

Project Topics:
- Multisensory spatial experiences
- Haptics and Space
- Sensing through scales (micro-meso-macro)

presented by Fabian, Pamela and Danu 


Class 5 - Saturday, 5.10.19 - 8:30-10:30 - Services and Infrastructure

Readings:
a) Starosielski, Nicole. 2012. "Warning: Do Not Dig’: Negotiating the Visibility of Critical Infrastructures." Journal of Visual Culture. 11:1. April 2012. 38–57.
b) Orsini, Krisitan & Ostojić, Vukašin. 2018/2019. "Croatias Tourism Industry I+II (Beyond the Sun and Sea, Curse or Blessing?)". European Economic Brief 036 + 047

presented by Andy and Danu 

Project Topics:
- Speculative service design
- Biological services

presented by Shafira and Tamara 

Class 6 - Monday, 7.10.19 - 8:30-10:30 - Wavescapes

Readings:
a) Husokawa, Shuhei. 1984. "The Walkman Effect". In Popular Music. 4. Performers and Audiences. 165-180.

b)    I) Hessler, Stefanie. 2018. "Tidalectics: Imagining an Oceanic World view through Art and Science“. In Hessler (ed.). "Tidalectics". 31-34,43.
       II) Tamatoa Bambridge and Stephanie Leyronas. 2018. "The Polynesian Rahui and Global Issues of Climate". In Hessler (ed.). "Tidalectics". 133-141.

presented by tbdPascal, Yangzom/Yami and Fabian 

Project Topics:
- tbdSound Art/Design
- The Commons

presented by tbd

Class 5 - Saturday, 5.10.19 - 8:30-10:30 - Services and Infrastructure

Readings:
a) Starosielski, Nicole. 2012. "Warning: Do Not Dig’: Negotiating the Visibility of Critical Infrastructures." Journal of Visual Culture. 11:1. April 2012. 38–57.
b) tbd

presented by tbd

Project Topics:
- tbd

presented by tbd

...

Sonjoi and Andreas F. 



Class 7 - Monday, 14.10.19 - 8:30-10:30 - 4K11- Anthropocene

Readings:
a) Latour, Bruno. 2018. "Das terrestrische Manifest". 21-25, 35-68.
b)    I) Gombiner, Joel. 2011. "Carbon Footprinting the Internet“. In Consilience: "The Journal of Sustainable Development“. Vol. 5. 119-124
       II) "‘Tsunami of data’ could consume one fifth of global electricity by 2025“. view article online
       III) Cook, Gary. 2017. "Clicking clean: Who is winning the race to build a green internet?". view article online

presented by tbdSophie, Yao/Charlotte, Andreas B. and Shafira

Project Topics:
- tbdEnergy low design
- Anthropocene (art & design)

presented by tbdDamaris and Pascal

Guidelines for writing the final essay will be presented.


Class 7 8 - Monday, 1421.10.19 - 8:30-10:30 - 4K11 - Cybernetics: Conversation and Fabrics

Readings:
a) Pask, Gordon: A comment, a case history and a plan, in REICHARDT, Jasia (Hrsg.): Cybernetics, Art, and Ideas, New York Graphics Society 1971, 76–99
b) Beer, Stafford. 1962. "Progress Note on Research into a Cybernetic Analogue of Fabric", in Harnden, R. et al. (Eds.). 1994. "How many grapes went into the wine. Stafford Beer on the art and science of holistic management". 25–32.

presented by tbdZoe and Tim

Project Topics:
- tbd

presented by tbd

...

Responsive Environments
- Non-human conversation

presented by Yao/Charlotte and Andy

Don't forget on this date, 21.10.19 : hand in (half a written page) and present (1min) your proposal for the final essay!





DESCRIPTION of the TOPICS and texts in the individual CLASSES
connected to Interactive Visualisation Studio (instructor TG)



Class 9 - Monday, 4.11.19 - 8:30-10:30 - Systems and EnvironmentsIntroduction to data and data literacy, Room 4K.11

Readings:

...

presented by tbd

Project Topics:
- tbd

...

  Economist, T. (2017). The world’s most valuable resource is no longer oil, but data. The Economist: New York, NY, USA


Class 10 - Friday, 8.11.19 - full day - Data literacy I, Room 5.D01

Readings:  Nick Barrowman (2018): Why data is never raw (The New Atlantis, Summer/Fall edition: 129-135)


Class 11 - Friday, 15.11.19 - full day - Data literacy II, Room 5.D01

Readings:  Quartz (2018): The Quartz Guide to Bad Data