TOPIC: Embodied Fabrication
Course description and overview
Deliverables
- Kickoff Project
- Final Project and Presentation
- Documentation - Documentation of your work in the template provided
- Attendance during lessons
Contents
- Timetable
- Main Project brief
- Readings
- Tools/software
- Lectures
///////// Work in progress below this line /////////
Ausschreibungstext 2017
Nummer und Typ | BDE-VIAD-V-5020.01.17H.001 / Modul |
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Veranstalter | Departement Design |
Semester | Herbstsemester 2017 |
Leitung | Dr. Joëlle Bitton Luke Franzke Florian Wille |
Zielgruppen | Mandatory module for 5th Semester Interaction Design Students |
ECTS | 5 Credits |
Voraussetzungen | Successful completion of courses in the field of design and technology in previous semesters |
Lehrform | Conceptual and thematic project work with mentoring and technical workshops |
Lernziele / Kompetenzen | Development and execution of an independent project within the scope of Embodied Interaction. Students will be taught various technical skills to realise this project. |
Inhalte | Examination and speculation of technologies relevant to Embodied Interaction such as: mobile computing, wearable interfaces, location-based interactions and digital fabrication. This examination covers societal, ethical and social influences. This years course covers the theme of Embodied Interaction for Digital Fabrication. Topics may include:
|
Leistungsnachweis / Testatanforderung | 80% Attendance, Documentation, Project Presentation |
Ausschreibungstext 2016:
Situated Technology
Nummer und Typ | BDE-VIAD-V-5020.01.17H.001 / Modul |
---|---|
Veranstalter | Departement Design |
Semester | Herbstsemester 2017 |
Leitung | Dr. Joëlle Bitton Luke Franzke Florian Wille |
ECTS | 5 Credits |
Lehrform | Projektarbeit. Konzeptuelle und thematische Projekteinführungen, technische Workshops, freie Projektarbeit mit mentorierten Arbeitssitzungen. |
Zielgruppen | Pflichtmodul für Interaction Design, 5. Semester |
Lernziele / Kompetenzen | Entwicklung und Ausführung eines eigenständigen Projektes im Rahmen der Aufgabenstellung. Aneignung und Einarbeitung in diverse technische Sparten. Students will learn how to:
|
Inhalte | Untersuchung von gesellschaftlich, ethisch und sozial relevanten Einflüsse durch Praktiken und Technologien wie: Mobile Computing, Wearable Interfaces, Location Based Services, Context Aware Applications. Erstellen eines eigenständigen Projektes unter Einbezug oben genannter Themen. |
Bibliographie / Literatur | Paul Dourish , Where The Action Is: The Foundations of Embodied Interaction, www.dourish.com/embodied/ |
Leistungsnachweis / Testatanforderung | 80% Anwesenheit, Dokumentation, Dokumentation, digitale Abgabe der Arbeiten, Projektpräsentation |
Termine | siehe Stundenplan VIAD |
Embodied Fabrication Preliminary notes
Embodiment & Fabrication
- material intimacy
- processes of fabrication / physical interactions that impact digital fab
- physical position towards machine / proximity
- wearability
- personal data
- performative aspects
Topic in relation to Wearables
- body extensions
- visualising what is internalised
- wearing the inside / out
- bespoke fabrication for the body
Personal Data
- making things from personal data
- design by data
- data storytelling / creativity
- form follows data
- tangible release of data
Pedagogy
- Digital fab skills reminder for 5th semester students
- Tech: working with presence sensor
- See text and structure of previous class: https://selffab.wordpress.com
What does interaction Design bring to the topic of Digital Fabrication?
How can the theory of embodied influence digital fabrication processes?
Can the outcome of the fabrication reflect the theory of embodiment?
What tools/technology can be used to facilitate this process?
How cad data be visualised in physical form? Can the data be read, or is transformed purely into an aesthetic output?
Tools and Inspiration:
I've ordered the breathing radar sensor from xethru, which might be interesting tool for collecting vital functions data (Luke)
Possible collaboration partners:
Could be an interesting contact for looking at motion/performance as an input for generating form. (Luke)
Hope you're well. Something you might be interested in - I met with director/choreographer Saar Magal recently, she's preparing for a new theater piece and and is interested in tracking movement and sound from performers and visualising it in real-time. The look/function is open, the interesting thing would be the possibility to project the visualisation back into a live performance. She seems open to ideas, and will be holding workshops with her performers to test out ideas later this year. I thought i'd put you in touch in case it fits somehow with what you or the students are doing.
Possible Workflow:
- Create generative 2D patterns (f.e. processing, grasshopper, etc.)
- Apply the 2D structure to a 3D surface