I
Reactive Wall
Rebecca Morganti-Pfaffhauser — Visual Programming: Luke Franzke
fltr: Andy Kirk, Sophie Anderhub, Sonjoi Nielsen, Fabian Frey — 2018 , Chen - Szakacs — 2017
The maximum effect of a poster is a striking verbal and visual reduction to the essentials. "Like something unexpected and surprising, as a kind of optical incident ..." ... "The poster must enter the emotional sphere ... like a burglar through the window, with a crowbar in his hand ..." A.M. Cassandre | Expected Products B — Moving Walls programmed with processing C — Documentation Format: PDF A4 Fonts for use as a base: Working form Learning goals Learning goals: — playful learning — capture the influence of word and image Criterion of the evaluation | Books — Geschichte des Plakates Histoire de l‘affiche History of the poster, Josef und Shizuko Müller-Brockmann — Generative Gestaltung entwerfen, programmieren, visualisieren, Hartmut Bohnacker, Benedikt Gross, Jul — Postercollection, Lars Müller Publishers (verschiedene Ausgaben) — Tissi & Odermatt, Swiss Posters, Waserverlag Zürich — Tissi & Odermatt, Grafic Design, Waserverlag Zürich — H. Knuchel/J. Nänni «BLUE. YELLOW. RED» colour anagrams 1991, Lars Müller — Typo China mit einem Essay von Eva Lüdi Kong, Museum für Gestaltung Zürich, Plakatsammlung — Posters by members of the Alliance Graphique Internationale (AGI) 1960 - 1985 ed. by Rudolph de Hara — Plakat polski 1970-1978 [introduction: Zdzisław Schubert] — Breaking the rules posters from the turbulent 1980s in Switzerland Plakate der bewegten 1980er Jahre — Armin Hofmann mit einem Essay von Steven Heller, Museum für Gestaltung Zürich, Plakatsammlung — Handmade mit einem Essay von Claude Lichtenstein, Museum für Gestaltung Zürich, Plakatsammlung — Ralph Schraivogel mit einem Essay von Robert Massin, Museum für Gestaltung Zürich, Plakatsammlung — Schwarz und Weiss mit einem Essay von Lars Müller Black and white with an essay by Lars Müller — Visuelle Wahrnehmung = Visual perception, Jürg Nänni, Sulgen, Niggli — Poemotion 3 Takahiro Kurashima, Lars Müller Publishers — Optical Illusions and the visual arts, Ronald G. Carraher, Jacqueline B. Thurston — Das Bild als Schein der Wirklichkeit, Herbert Schober, Ingo Rentschler, Moos Verlag München — See waw, Hans Knuchel, Jürg Nänni, Lars Müller Publishers Links — Anagramm-Generator de: http://www.nlp.de/cgi-bin/anagrams/wordplay.cgi — Anagramm-Generator eng: http://www.wordplays.com/anagrammer — https://www.grillitype.com/typeface/gt-super — https://www.abcdinamo.com/front — https://www.linotype.com/de/1549538/egyptienne-f-schriftfamilie.html — https://lineto.com/ — https://www.milieugrotesque.com/ — blelb ist ein Labor für Gestaltung zwischen Kunst und Technik: http://www.blelb.ch/ — Space type Generator: https://editor.p5js.org/full/ryzpqAjKm — chanching Fonts https://www.standardabweichung.de/design/projekte/html5/design-font-chemical-munich Graphic Classics / Some Inspirations: please google: — Armin Hofmann — Moholy Nagy Typography — Wolfgang Weingart Typography — Emil Ruder — Koichi Sato — Max Bill — Ralph Schaivogel Graphic Now / Some Inspirations: http://dia.tv/nike-basketball/ http://www.studiofeixen.ch/ http://www.therodina.com/ecstatic-trap/ http://a-g-i.org/ http://www.johnsonkingston.ch/index.php?/do-make http://erichbrechbuhl.ch/ http://yaherd.tumblr.com/ http://hubertus-design.ch/ http://www.ludovic-balland.com/en/poster/0/poster.html http://www.vier5.de/10/info.html https://www.google.ch/search?q=na+kim&espv=2&biw= 1393&bih=775&source=lnms&tbm=isch&sa= X&ved=0ahUKEwiwxK2aztfPAhXEsxQKHetIBwQQ_ AUIBigB£ http://www.ok-rm.co.uk/cat/selected WHICH WALLS https://intern.zhdk.ch/?wandgestaltung https://intern.zhdk.ch/fileadmin/data_subsites/data_serviceportal/FM-Downloads/Gestaltung_von_Waenden__Reglement_und_Anhaenge.pdf KLEISTERN https://www.youtube.com/watch?v=hLr-8vETkvI A MOVING POSTER COLLECTION http://www.themovingposter.com/— ARTIVIVE APP https://artivive.com/ Inspiration films ;) (concerning the theme play and coincidence ) Adriano Celentano: https://www.youtube.com/watch?v=G96luhHhxnI https://www.youtube.com/watch?v=-VsmF9m_Nt8 Fischli Weiss, Der Lauf der Dinge: https://www.youtube.com/watch?v=L_HWDQxcngE Michelangelo Antonioni, Professione Reporter, Final Scene : https://www.youtube.com/watch?v=pvbqy8FZq8Y |
IITypo & IconsIn the second part of GDB you will go with a clear style on a virtual Citytrip. Explore 3 Brands that have a strong and clear visual identity. These brands can come from fashion, automotive, places, newspapers, events etc. Fashion: Chanel, Louis Vuitton, Moncler, Vetements etc. |
Exercise 01.1
Explore 3 luxury brands or premium brands that have a strong and clear visual identity. These brands can come from fashion, automotive, watches, jewelery, cosmetics etc.
Example brands
Fashion: Hermes, Chanel, Louis Vuitton etc. Automotive: Ferrari, Maserati, Aston Martin etc. Watches: Patek Philippe, Rolex, IWC etc. Alcoholic beverages: Richard Hennessy, Chateau Lafite Rothschild, Dom Perignon etc.
Exercise 01.2
Create a Moodboard with the essential, visual parameters of each of the 3 brands, from which the look & feel of the brand is readable.
Moodboard content
01 word mark, figurative mark or word/figurative mark
02 primary colours and secondary colours of the corporate design
03 fonts of corporate design
04 corporate design elements
05 materiality of the products
06 design language of the products
07 images
08 etc.
Moodboard media
All media are welcome
Exercise 01.3
Find the used fonts and name them.
Example tools
Result
font, font style and application area
Exercise 02.1
Explore for the following terms pictograms and / or icons.
Terms
01 hotel
02 dinner / meal
03 coffee
04 nightlife
05 shopping
06 entertainment
07 recreation
08 visitor attraction / sight
09 map
Number of pictogram / icon
at least 5 to each term
Books
otl eicher
sbb https://museum-gestaltung.ch/de/ausstellung/sbb-cff-ffs/
Zeichen und Signete
Novum Press
Exercise 02.2
Select a brand from exercise 01.1. For this brand, develop two different icon families for the terms in exercise 02.1.
Phase 01
First create analog sketches of the terms.
Phase 02
After phase 01, convert two icon families digitally.
Tools phase 01
Paper, pen
Tools phase 02
Illustrator
Example pictogram family
https://www.iconfinder.com/iconsets/aiga-symbol-signs
Exercise 03.0
Your selected brand knows your customers and their needs very precisely. For this reason, they are developing a city guide app to accompany their customers when traveling with tips and services. It is important to notice the brand, but not by the frequent placing of the logo, but by applying the visual parameters such as fonts, colors, elements etc.
Exercise 03.1
The introduction to the City Guide goes through the inspiration of several cities in word and image through which the user can swip. Two further screen situations are intended to encourage the user to browse through the individual City Guides and to refer
to the website.
Image material
Find pictures of the different cities in order to put them in the background. Consider, if possible, the language of the brand.
Text
Screen 01: NEXT GUIDE LONDON DISCOVER THE CITY GUIDE
Screen 02: IT´S 9PM CAPE TOWN THE PERFECT TIME TO SAVOUR DELICIOUS DISHES AT THE GREEN HOUSE. DISCOVER THE CITY GUIDE
Screen 03: NOW IN SYDNEY TROPFEST INTERNATIONAL SHOWCASE FOR SHORT FILMS DISCOVER THE CITY GUIDE
Screen 04: MEXICO CITY 150 MUSEUMS CAN BE EXPLORED HERE DISCOVER THE CITY GUIDE
Screen 05: FEEL LIKE TRAVELLING? BROWSE THE CITY GUIDES
Screen 06: THE WORLD OF ...... VISIT THE WEBSITE OF ......
City guides
Here you can find all the city guides that offer your brand.
+
Here you can find additional information.
Exercise 03.2
Start screen of a selected city. On the screen is the name of the city and the main menu. With the arrow you come back on the start screen.
Arrow: Develop an arrow that returns the user a hierarchy level.
Exercise 03.3
Display the content in a list with icons. Extend or modify your icons from exercise 02.1
Circle: The circles are placeholders for icons.
Deliverables:
Schedule
Week 1 | Tuesday 26.11 | Wednesday 27.11 | Thursday 28.11 | Friday 29.11 |
---|---|---|---|---|
Morning | Graphic Design Lab (LF / RMP) | Graphic Design Lab (RMP) 4.K15 | Graphic Design Lab (RMP) 4.K15 | Graphic Design Lab (LF / RMP) 09.00–12.00 Mentoring — Anagramm & Processing sketches |
Afternoon | 13:00 — Programming basic with (LF) | Graphic Design Lab | Graphic Design Lab Independent study — Typo-word combined with processing idea | Graphic Design Lab (RMP) 13:00 Input some Type Rules |
Week 2 | Tuesday 3.12. | Wednesday 4.12. | Thursday 5.12. | Friday 6.12. |
Morning | Graphic Design Lab Independent study — Material-Lab combined with processing | Graphic Design Lab (Benjamin / LF / RMP) 4K15 | Graphic Design Lab (RMP) (Black and White) for the Wall planning! | Graphic Design Lab 4K15 (RMP) |
Afternoon | 13:00 — Programming basic with (LF) | Graphic Design Lab | Graphic Design Lab 13.00 — 17.00 Independent study | 13:30 — 17:00 (LF) |
Week 3 | Tuesday 10.12. | Wednesday 11.12. | Thursday 12.12. | Friday 13.12. |
Morning | Graphic Design Lab (RMP | Graphic Design Lab | Typo & Icons | Typo & Icons
|
Afternoon | 13:00 — Programming basic with (LF) | Graphic Design Lab | Typo & Icons | |
/Week 4 | Tuesday 17.12. | Wednesday 18.12. | Thursday 19.12. | Friday 20.12. |
Morning | Typo & Icons | Typo & Icons | Typo & Icons ((10:00 Testing and Installation @ Nieves (LF / RMP))) | Typo & Icons |
Afternoon | Typo & Icons | Typo & Icons | 17.00 Graphic Design Lab (LF / RMP / BS) | Graphic Design Lab + Typo & Icons 13.00 — 17.00 I |
RMP: Rebecca Morganti-Pfaffhauser, LF: Luke Franzke, BS: Benjamin Sommerhalder