Atlassian uses cookies to improve your browsing experience, perform analytics and research, and conduct advertising. Accept all cookies to indicate that you agree to our use of cookies on your device. Atlassian cookies and tracking notice, (opens new window)
Confluence
For you

Theorie 5
Results will update as you type.
  • Sweet Dreams Are Made of This
  • Sweet Dreams Are Made of This 2019
  • Sweet Dreams Are Made of This 2020
  • Sweet Dreams Are Made of This 2021
  • Sweet Dreams Are Made of This 2022
  • Sweet Dreams Are Made of This 2023
  • Sweet Dreams Are Made of This 2024
  • Sweet Dreams Are Made of This 2025

    Two hearts overlapped with each other
    Welcome back
    Catch up on the top discussions and highlights from your team.
    /
    Sweet Dreams Are Made of This 2024
    Updated Dec 02, 2024

    Sweet Dreams Are Made of This 2024

    Dec 02, 2024

    Analytics

    Loading data...

    INTERACTION DESIGN THEORY SEMINAR 5th semester

    Fall 2024

    Lecturer:
    Dr Joëlle Bitton, joelle.bitton@zhdk.ch 

    Office hours by appointment 

    Class sessions take place Mondays from 15.00-17.00. See calendar for details.
     

    OVERVIEW AND OBJECTIVES 

    "Sweet Dreams are Made of This" proposes to dive into the very essence of interaction design agency, ahead of the thesis semester. How does a design project emerges from a particular interest? Should it have an impact? And at what scale? Through a variety of references, we'll address notions of dreams, contribution, position, creativity and ownership, especially as they relate to contemporary societal questions. We usually consider that a novel contribution to knowledge has to be read about, dreamed about in a visionary sense, used and related to, through hands on testing, iterations and prototyping at various stages, explored orally and visually, and discussed by peers and tutors. The course is structured around materials discussions showcasing social engagement, activism and aesthetic movements, various assignments such as fictional dream-like scenarios and practical workshop formats.

    This course is also a guided exercise in your autonomy to look for relevant references and to integrate them as part of your research endeavour. You should start early with topics of interest for your diploma work, even it is expected that they might evolve or even change completely. In that sense, even if your topic changes, the questions & methods that will be addressed in this class will be valid throughout your diploma work. Different than previous theory classes, with mostly discussions based on readings, this class is a continuous assignment-based exploration of your research engagement. It is proposing that you follow through and ride the wave, with joy.


    COURSE OUTLINE 

    12 sessions structured around the notions of engagement, positioning, creative research and ownership.
     

    EXPECTATIONS AND GRADING


    Grades will be based on the oral and written presentations and on class participation. Contributing to constructive group feedback is an essential aspect of class participation. Regular attendance is required. Two or more unexcused absences will affect the final grade. Arriving late on more than one occasion will also affect the grade.
    Sessions in-class will not be available on Zoom.
    Participation in Zoom sessions implies dedicated attention to the class (ie. no multi-tasking with travelling at the same time on train, car, etc).

    Class participation 10% 

    Short Disposition 30%

    Literature Review / Related Work mapping 40%

    Research exercises 20%

    Any assignment that remains unfulfilled receives a failing grade. 
     

    ASSIGNMENTS - deliver on the server

    In-class assignments 

    • Readings & documents where indicated (various dates)

    • Present a non-Western project pre-1899 / Post on Miro board (30.09.24)

    • 1-page observation essay/visuals (14.10.24)

    • Present books (17.10.24)

    • Dream (02.12.24)


    Mid-semester assignments (11.11.24)

    Statement of Intent for the BA thesis.

    • 2-page essay describing your field of interest, motivation, choice of research method and intended contribution.
      See detailed guidelines

    Literature Review

    • Compile a detailed literature review of at least 8 essays/book chapters (no web articles or blog posts or wiki entries) that help you advance your research and unpack your topic. Each essay cited should be credited with author(s), year, country, institution and should be commented for its relevance to your topic. Write half a page introduction to your literature review. 

    Related Work Visualisation with annotations

    • Compile at least 10 related works - define the criteria from them that matter and make a visualisation where you situate your own interest.
      Following your statement, and with your choice of visual representation/metaphor, design a data visualisation showcasing where your project is situated among existing projects and references that address similar questions.
      Related projects can include design and art projects, literature, movies, initiatives, etc.
      Each project cited should be credited with author(s), year, country and should be commented for its relevance to your topic.


    + Diploma assignment (grade and % is part of diploma work) (06.01.25) 

    • Background Research chapter: Version 1 includes literature review, related works, early field encounters, positioning


    COURSE MATERIALS 

    Readings are made available in the shared IAD server


    CALENDAR

    Session 01 – 23.09.24 – What is the Action? - 5.H01

    Presenting the syllabus & assignments & arc of the course.

    Writing exercises based on reflections by students from the last two years of studies and how they consider what a contribution is, as they head towards their final year of BA study.

    :red_star:Assignments for the following week:

    - Find 1 non-Western project that is itself a form of manifesto or position in art, craft, technology or science that dates before 1899 and in class next week, explain what makes it inspiring to you, how it sets a certain defining moment and how it is relevant for our time Share images/doc/short text on Miro board by the following Monday 9.00 (include pic, authors, date, source, link + your name)


    Session 02 – 30.09.24 – In Formation - On Zoom

    We'll first look at the material you found,

    Then through the word "interaction", we address notions of taking action in a context of emergency, in particular the case study of Act Up, an organisation that has set methods of taking action. 

    Related content
    Sweet Dreams Are Made of This 2023
    Sweet Dreams Are Made of This 2023
    Joëlle Bitton
    Sweet Dreams Are Made of This 2022
    Sweet Dreams Are Made of This 2022
    Joëlle Bitton
    Aesthetics of Interaction 2024
    Aesthetics of Interaction 2024
    Roman Kirschner
    Aesthetics of Interaction 2023
    Aesthetics of Interaction 2023
    Roman Kirschner
    Interaction Design Methods 2024
    Interaction Design Methods 2024
    Joëlle Bitton
    Interaction Design Process FS22
    Interaction Design Process FS22
    Joëlle Bitton
    {"serverDuration": 43, "requestCorrelationId": "1a422348decb4e79b0dba82ff0e195ea"}